The Giza Prophecy

A detailed study of the proportions of the Giza pyramids and how they reveal shifts in the Earth’s axis in the remote past—and near future 

• Debunks the “pyramids as tombs” theory and shows how they are “recovery vaults” to ensure the rebirth of civilization after a global disaster 

• Explains in detail how the angles and geometry of the Great Pyramid record a shift of the world’s axis in 3980 BCE and predict more to come 

• Uncovers the location of an additional as-yet-undiscovered “recovery vault” on the Giza plateau, as revealed in the myth of Osiris 

Offering a radical new perspective on the Great Pyramid of Giza and all the structures surrounding it, including the Sphinx, Scott Creighton and Gary Osborn show how the designers of Giza intentionally arranged these massive structures to create an astronomical timeline recording catastrophic events in the past as well as warning later generations of the precise times of future catastrophes. They reveal how the Old Kingdom pyramids of Giza were created, not as tombs for the pharaohs and their queens, but as “recovery vaults” to ensure the rebirth of the Kingdom of Egypt after a global disaster by acting as storehouses for ancient Egyptian culture--its tools, seeds, art, and sacred texts. 

Through the use of photos, maps, and diagrams of the Giza plateau, the authors explain in detail how the angles and geometry of the Great Pyramid align with the stars of Orion’s Belt to encode an important message: that changes in the tilt of the world’s axis have occurred in the remote past, most recently in 3980 BCE, and will occur again in the near future. Highlighting the ubiquitous appearance of 23.5-degree angles--the most important of the precessional angles encoded in the Giza pyramids--in classic works of art, including the work of Leonardo da Vinci and portraits of John the Baptist and George Washington, the authors reveal how this angle, the Great Pyramid, and its fateful message are tied to Freemasonry and other secret societies. Concluding with the remarkable revelation triggered by the myth of Osiris that there may be an as-yet-undiscovered 14th “recovery vault” on the Giza plateau, Creighton and Osborn show that the prophecy of Giza is a message of first importance to our own civilization.
Review
“Remarkable . . . original . . . convincing . . . explosive.”, Graham Hancock, bestselling author of Fingerprints of the Gods
From the Back Cover
ANCIENT MYSTERIES / EGYPT 

“Remarkable . . . original . . . convincing . . . explosive.” 
--Graham Hancock, bestselling author of Fingerprints of the Gods 

Offering a radical new perspective on the Great Pyramid of Giza and all the structures surrounding it, including the Sphinx, Scott Creighton and Gary Osborn demonstrate how the designers of Giza intentionally arranged these massive structures to create an astronomical time line recording catastrophic events in the past as well as warning later generations of the precise times of future catastrophes. They reveal how the Old Kingdom pyramids of Giza were created, not as tombs for the pharaohs and their queens, but as “recovery vaults” to ensure the rebirth of the Kingdom of Egypt after a global disaster by acting as storehouses for ancient Egyptian culture--its tools, seeds, art, and sacred texts. 

Through the use of photos, maps, and diagrams of the Giza plateau, the authors show how the angles and geometry of the Great Pyramid align with the stars of Orion’s Belt to encode an important message: Changes in the tilt of Earth’s axis have occurred in the remote past, most recently in 3980 BCE, and will occur again in the near future. Highlighting the ubiquitous appearance of 23.5-degree angles--the most important of the precessional angles encoded in the Giza pyramids--in classic works of art, including the work of Leonardo da Vinci and portraits of John the Baptist and George Washington, the authors reveal how this angle, the Great Pyramid, and its fateful message are tied to Freemasonry and other secret societies. Concluding with the remarkable revelation triggered by the myth of Osiris that there may be an as-yet-undiscovered 14th “recovery vault” on the Giza plateau, Creighton and Osborn show that the prophecy of Giza is a message of first importance to modern civilization. 

SCOTT CREIGHTON is an engineer whose extensive travels have allowed him to explore many of the world’s ancient sacred sites. The host of the Alternative Egyptology forum on AboveTopSecret.com, he lives in Glasgow, Scotland. GARY OSBORN is a writer, researcher of ancient mysteries, and coauthor of several books, including The Serpent Grail and The Shining Ones. He lives in North Devon, England.
About the Author
Scott Creighton is an engineer whose extensive travels have allowed him to explore many of the world’s ancient sacred sites. The host of the Alternative Egyptology forum on AboveTopSecret.com, he lives in Glasgow, Scotland. 

Gary Osborn is a writer, researcher of ancient mysteries, and coauthor of several books, including The Serpent Grail and The Shining Ones. He lives in North Devon, England.
Excerpt. © Reprinted by permission. All rights reserved.
Chapter 3 

The Orion Key 

The Key 

As briefly stated earlier, over the years the Internet has spawned a veritable plethora of geometrical-mathematical offerings that attempt to seek the answer to the question of how the base dimensions of the three main Giza pyramids were determined and the rationale for the placement of the two sets of Queens’ Pyramids in relation to the main structures. So far, however, none of these offerings provides anywhere near a complete, cohesive solution to this vexing question, the master key to unlocking the Giza Blueprint remaining frustratingly elusive. 

We already discussed in the opening to this chapter that Robert Bauval has long argued that the layout and build of the three main Giza pyramids are symbolic representations of the three Belt stars of the Orion constellation, and together with Adrian Gilbert and latterly with Graham Hancock he has provided considerable contextual evidence from the ancient Egyptian Pyramid Texts in support of his Orion Correlation Theory (O.C.T.). 

Assuming then that Bauval’s theory is correct, could it then be possible that the Belt stars of Orion might reveal to us other aspects of the Giza pyramid design, not merely the layout of the pyramids closely mirroring the pattern (asterism) of the Belt stars? Might it be possible that the Belt star asterism could have been used as the template from which to define the actual geometrical base dimensions of the three main Giza pyramids and allow us also to explain the somewhat puzzling and contradictory alignment and placement of the two sets of Queens’ pyramids as well as the missing queens’ pyramids of G2, the pyramid attributed to Rachaf? 

In short, might the Orion Belt star asterism be the elusive design key, the underlying design imperative sought by so many for so long to explain the relative base dimensions of the three main Giza pyramids, their placement on the ground and the placement also of the two sets of Queens’ pyramids? Can it be shown that the dimensions (as well as the layout) of the pyramids at Giza conform to a predefined, unified, homogeneous plan based upon Orion’s Belt; a plan that--if found--would strike a considerable blow to the tomb theory? Well, let us now see. 

The Orion Geo-Stellar Fingerprint 

Any three, non-linear points (in this case the three stars of Orion’s Belt) can be used to generate three bases, simply and easily, using a technique that we have dubbed “geo-stellar fingerprinting.” 

Quite remarkably, what we find when using this simple, systematic technique is that, when a comparison is made, the base dimensions of the three main pyramids at Giza are shown to proportionally agree with the three bases produced from the Orion Belt asterism using the geo-stellar fingerprinting (GSF) technique--a quite compelling connectio